The legendary DJ Spinna returns to Melbourne this friday for a free show at the Espy!
This Thing crew’s Electric Sea Spider launches his official debut album this friday at Mercat supported by a handful of local beat goodness! Check the album stream below and watch out for it dropping on wax in the near future!
The Condensed Milk crew are throwing another Dilla tribute night this friday 22nd at The Evelyn. Last’s years one was a hell of a party so make sure you get down for a good night! Details below!
Come and join us on the 22nd of February as we host an audio visual tribute to an artist who seamlessly fused the worlds of jazz, hip hop and everything in between into the songs we can not get enough of today. On this evening Local DJs and Producers will be playing music composed and inspired by J Dilla including unreleased tracks, live remixes and live MPC sets, Also Visuals on the night by Chronic Sans. Artists participating in the event include Hazel (France), M-Phazes, Amin PaYnE, SilentJay, Jackson Miles, Billy Hoyle, J Smith, and Rusty Ryan (UK). Proceeds from the event will be sent to Ma Dukes and the J Dilla Foundation.
The hip-hop community is mourning the loss and showing love for New York rapper Tim Dog.
According to The Source, the veteran MC passed away from a seizure following his long battle with diabetes. Additional details surrounding his death are scarce at this time, but several musicians, including Tony Touch, J-Zone and Pete Rock, have expressed their condolences on social networking sites.
The MC, who collaborated with Ultramagnetic MCs early in his career, is best known for his track “F*** Compton,” often hailed as one of the best disses of all time, targeting Dr. Dre and N.W.A. in the early ‘90s. The cut was included on his solo debut “Penicillin on Wax,” released in 1991, and elicited response records from DJ Quick, Dre and Compton’s Most Wanted.
Tim Dog, whose real name was Timothy Blair, teamed up with Kool Keith under the name Ultra to release 1996’s “Big Time.” Over the years, he dropped solo several LPs including “Do or Die,” “Immortal” and “BX Warrior,” which impacted in 2006.
Recently Tim Dog was accused of conning several woman out of thousands of dollars in an online scam. He was exposed in a June 2012 episode of NBC’s Dateline of courting women and persuading them to invest in a greatest hits album that never materialized. But forget that let’s remember him for his music.
A new label based out of LA and Jamaica and now being distributed by Stones Throw Records is Duppy Gun Productions. They describe their sound as ‘outer orbit dancehall selections’. Think of all things dubby and tripped out! The first release now in store is Multiply b/w Earth 12″and comes with a dope poster pictured below. Next 12″ drops mid feb so stay tuned for more goodness!
Here’s a great series put together by Fuse. So many legends, check it.
J.ROCC (Beat Junkies)
PEANUT BUTTER WOLF (Stones Throw Records)
RICH MEDINA (Rock Steady Crew)
DJ EVIL DEE & MR.WALT (Da Beatminerz)
DJ JAZZY JEFF
DJ MUGGS (Cypress Hill)
LORD FINESSE (D.I.T.C)
Guy posted a clip on our Facebook page the other day and it got me inspired to post a some more stuff and general info about this awesome producer.
Kan Kick grew up in Oxnard, along with several fellow hip-hop musicians including Madlib, Oh No, DJ Romes and Dudley Perkins. In the early 90’s he was an integral part of Lootpack, appearing on several of their tracks. He has also produced some of The Alkaholiks’ early tracks. Later he went on to produce a number of solo instrumental albums, as well as collaborate with several rappers and producers such as Planet Asia, Declaime and DJ Babu. His 2001 release, From Artz Unknown was his first official solo introduction and featured West Coast rappers such as Declaime, The Visionaries, Krondon, Phil Da Agony, Planet Asia and Wildchild.
Kankick – Funk Farm Radio Mix
The Farm aka Funk Farm was (according to Kan) Kankick, Grand Herbalist V.I.C., K.T. aka Inverse (RIP), Maysius aka Edog (RIP), Leeizm, Elmafudge the Abstract Wind, Alergy, God’s Gift to Hiphop, Blackcat. The interview below says that DJ Babu was also a member. They did two tapes in 1996 – “A Pataphysical Introduction” and “The This Time Tape”.
The Farm – Pass The Crooked I [Wino]
The Farm – For The Soul [Kan]
The Farm – Huss That Fuss [Elma / Kan]
The Farm – Beat 3
The Farm – Cancer [Mystery’s Extinction]
The Farm – Beat 4
2001: From Artz Unknown
2004: Acid Massive Musical
2004: The Traditional Heritage
2005: Seeing Spirits
2006: Serious Business This!
2008: Kan Kick Remixes
2009: Beautiful: Opus of Love, Deeper than Flesh
2011: Rummage to Royalty
For all whose DJ’s using vinyl and your sick of the needle bouncing around all over the shop, check out this info and video.
1. Adjustment of Tonearm Horizontal Balance
2. Adjustment of Stylus Pressure
Here are our recommended pressures settings for several popular cartridges:
Ortofon Concorde 2.5 – 4.0 g
Stanton 500 / 505AL / DJ Craze 3.0 – 5.0 g
Stanton 680 HP & EL 2.5 – 4.5 g
Stanton Trackmaster 3.0 – 4.5 g
Shure M44 – 7 & G 1.5 – 3.5 g
Shure M35 X & S 2.0 – 4.0 g
3. Adjustment of Anti – Skating
While in normal forward rotation, the record spins Clockwise. The Spinning of the record naturally places extreme Centripetal force on the Stylus, causing the Tonearm to want to fly to the Inside of the record. This can also be the cause of record Skipping. An even larger and most often misunderstood phenomonon is an imbalance between the two Stereo channels, because when a record is pressed, Stereo information is placed along either side of the groove. When one side of the Groove is “Read” more haevily this causes a signal imbalance which must be corrected with master or channel balance controls.
Several reasons you need Anti-Skating to be set correctly
1. Potential for uneven Stylus Wear
2. Cheaply Manufactured Records
3. Incorrect Sytlus Pressure –
4. Vinyl Warps
5. To ensure Stereo playback with even channel distribution
The Anti – Skate mechanism allows the user to preset a specific amount of opposite force (measured in grams) which may be placed upon the Tonearm Assembly. to defeat the tendency of the Tonearm to want to “Fly: toward the center of a Record during playback.
Unfortunately, there is no “Magic” setting for this feature, because the spring which is enabled by the Anti-Skate knob is not of a uniform tension due to age and amount of use.
Therfore, every Turntable is different
If you want this to be set correctly, you need to bring us your decks as this is done as part of our “Maintainence Service”.Please go to the “REHAB” section and check it out.
We have a special record disk designed to measure and adjust Anti – Skate, plus the experience to do it right.
4. Tonearm Height Adjustment
Cartridge height in Millimeters: Height Control Position: